Pretty straightforward, just quantizes incoming notes to 1-1/64 based on the master tempo.

WhatвЂ™s missing :В IвЂ™d love to see some filtering and pitch modulation parameters in the next version.ДЄlthough Ableton does have a midi record function (edit вЂ“> record quantization) its a bit limited and you canвЂ™t access its parameters using midi, nor does it have a shuffle function for those among us who like to get funky. WhatвЂ™s best: Easy to use, sounds great, trippy, and really functional. You can also just use it as a regular repeat by toggling between вЂњstraightвЂќ and вЂњreversed.вЂќ Not to say there arenвЂ™t a bunch of pre-existing plug-ins that donвЂ™t create similar reverse effectsВ (such as Turnado, Stutter Edit, and DBlue Glitch), but as mentioned previously, the joy of these effects are in their simplicity, the fact that they run natively in Live, and their negligible CPU usage. When you hit the aptly named вЂњwoopвЂќ button, it snags a chunk of sound, reverses, and repeats it at the rate specified. ItвЂ™s basically like a simplified beat repeat, but the great thing about it is that you can set it to вЂњreversedвЂќ mode which makes it activate вЂњreverseвЂќ repeat. This neat little effect slaps right on any audio or MIDI track with audio output. One final thing that makes these patches great is the open arms community around them that thrives on feedback, collaboration, and modification.ДЄnd, without further ado, here we go! REVERSE (aka JC Reversr b004) So, discovering all these super low profile FX and functionality add-ons has been quite exciting. Plus, when performing, I canвЂ™t afford to sacrifice even 2 milliseconds of latency- I need my samples to launch exactly when I hit the button. Call me crazy, but with an older Macbook, CPU optimization is crucial.

For me, thatвЂ™s a really big deal because I never use any third plug-ins when I perform live. Probably my favorite thing about Max4Live patches is that they run natively in Live. IвЂ™ve sorted through the archives and picked out five basic, but totally awesome M4L patches that I simply canвЂ™t live without. Suffice to say it has a notably steep learning curve, but never fear вЂ“ there is an awesome community of programmers on the internet who build M4L patches and give them away for free. One of the things that really sets Ableton Live 8 in a league of its own is the ability to create your own effects, instruments, and MIDI functionality using the extremely versatile object based programming environment, MAX/MSP.

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